DAVID UNDERWOOD
Graduate and professor of Carson-Newman University, in Jefferson City, TN, David Underwood expands the language of photography beyond the limitations of single-frame imagery. He has made significant contributions to the continuum of the history of image-text and photo/mixed-media artwork.
Through alternative methods, he works with grids, multiple images, and creative presentation materials he pushes the boundaries of tradition. Underwood explores the combinations of images and their conversations in how they work together both visually and thematically. He integrates text with a degree of ambiguity so that content is somewhat directed, but also so that each viewer may also infer their own meaning from the work. The component parts of these assemblages were photographed years and perhaps many miles apart.
Underwood’s work is collected by museums nationally, including the Smithsonian American Art Museum, Asheville Art Museum, Cincinnati Art Museum, Corcoran Gallery of Art, Crocker Art Museum, Hunter Museum of American Art, Knoxville Museum of Art, and the MINT of Charlotte, NC.

SELECTED WORKS PREVIEW
Outnumbered But Not Giving Up
Color photographs, silver gelatin & liquid emulsion photographs on museum board, ink text, acrylic, copper nails, steel construction strap with steel screws, red duct tape, and clear varnishes on wood, with a custom copper metal frame, 2025, 30 x 30 x 3 in
The Evolution Of Everything
Color photographs, a silver gelatin photograph, ink on colored paper, translucent mylar, and stainless steel staples on museum board & foam board. Framed to image edge in a cherry hardwood frame, under plexiglass, 2021, 30 x 30 in
Wherever Home Is
Color photographs, silver gelatin photographs, cyanotypes, ink, and stainless steel staples on museum board & foam board. Framed to image edge in a cherry hardwood frame, under plexiglass, 2024, 30 x 30 in